FENIX is an excellent exhibition space- we must start there without distraction. Even without the sculptural staircase, the Tornado, in the middle of it. It’s important to point out because while I was stunned by the immaculately execution of the staircase, I think that it can only find a home because the space allows for it.
The expanse of the exhibition spaces are long and provide undisrupted views allowing the natural light to flow through. The rough finish of the walls give texture and rawness- both complementary and in contrast to the works of art. The topics themselves new, contemplative and uncomfortable- the space gives the room to allow the art to speak.
Okay- then there’s the Tornado. From inside to outside and all around, it’s a maze more than anything. With such a narrow base, the engineering feat of such a narrow base supporting this snaking route to a viewing platform is well achieved. It effortlessly rises with a complexity that makes it so hard to capture and yet I couldn’t stop taking photos from every angle to somehow try.
Framing the city- just defying gravity at every turn.
Then there are these glass turtle shell like hoods to denote the entries passing between inside and out.
More than anything, I had such a great time catching reflections. On these surfaces, but also a metaphor for my mind.
While riding over Erasmus bridge did almost kill me (and let’s not forget the way back too)- it did afford me this view of the build to give a sense of the lateral expanse (mentioned above) of the building and also the tower rising from within. Beautifully executed- I would return again and again as it imbues such a sense of whimsy that it would never get old. Undoubtedly worth the effort.
Address: Paul Nijghkade 5, 3072 AT Rotterdam, Netherlands
Website: ArchDaily write-up
ofallthespaces 